Welcome to Grammy Award Winning Soprano Jessica E. Jones’s website. Enjoy getting to know Ms. Jones and if you would like to engage with her on social media she can be found with the tag @jessopranojones on IG and twitter.
“Full of dazzling radiance, soprano Jessica E. Jones lit up the intimate space as virginal Lucia driven mad by unrequited love. She supplied her own thunder and sparks to Donizetti’s vocal fireworks.”-Houston Press. Ms. Jones is quickly establishing herself as a leading American soprano. Critics have praised Ms. Jones calling her “astonishing” “thrilling” “fabulous” in performances throughout the United States. She was district winner, audience favorite and regional finalist of the Metropolitan National Council Auditions.
A versatile artist, her repertoire spans from early music to contemporary opera. Her interpretation of bel canto and American opera have garnered much attention. Her bel canto roles include Lucia in Lucia di Lammermoor, Elvira in L’italiana in Algeri, Desdemona in Rossini’s Otello, Adina in L’elisir d’amore, Corinna in Il Viaggio a Riems. As an interpreter of American Opera she has been in high demand. She performed in the world premiere of The (R)evolution of Steve Jobs as Chrisann Brennan with Santa Fe Opera, has workshopped Roscoe by Evan Mack as Veronica with Opera Saratoga and has portrayed Lightfoot McLendon in Floyd’s Cold Sassy Tree, Lulu in Elmer Gantry, and Rosasharn in The Grapes of Wrath. Also in her repertoire are Gilda in Rigoletto, Euridice in Orfeo ed Euridice, Pamina in Die Zauberflöte, Rosalinde in Die Fledermaus, The Governess in The Turn of the Screw, and Beatrice in Daniel Catán’s Il Postino, Lauretta in Gianni Schicchi, and Erste dame in Die Zauberflöte.
She has performed with Santa Fe Opera, Florida Grand Opera, Sarasota Opera, American Lyric Theater, Utah Opera, Utah Symphony, Opera Idaho, Eugene Opera, Opera Saratoga, Painted Sky Opera, Sun Valley Opera, Opera in the Heights, Sugar Creek Symphony & Song, and Crested Butte Music Festival. For details about upcoming performances see schedule. Ms. Jones holds a master’s degree in performance from the Moores School of Music.
A note from Ms. Jones:
Thank you for visiting my website. I always get asked how I decided to become an opera singer. Here is a bit more about me and my journey. I am a native of Pocatello, ID and come from a musical family. My mother is a pianist and one of my favorite memories growing up was listening to her play. She was the pianist for church and I often sang with the church choir. My grandmother also listened to classical music and she sang around the house all the time. My father grew up playing the piano and is a talented poet. As a child I sang all the time; making up my own songs, singing in children’s choirs, then as a teen I became involved in community theater. I remember performing in Bye, Bye, Birdie when I was about 12 or 13 and then Les Miserable when I was a bit older. I was very active in my high school choirs; madrigal choir, show choir, mixed choir, and my high school choir teacher was a big influence on me and my passion for music. I also started taking voice lessons when I was a sophomore in high school. My voice teacher encouraged me to audition for the role of Barbarina in Le nozze di Figaro being produced by a small company in a nearby town. I ended up getting the part and for a couple of months during the spring of my 15th birthday I drove myself 50 miles after school to rehearsals. When I started rehearsing Le nozze di Figaro I had never seen an opera. I absolutely fell in love with the music. I became infatuated with the singers and the beauty of their voices. I was fascinated by the behind the scenes process and decided that I wanted to be an opera singer during that production. I continued to study voice throughout high school and sang in many other musicals. I ended up going to the University of Houston to study with Katherine Ciesinski and went on to study with Cynthia Clayton and received a wonderful education at the Moores School of Music. I am so grateful to all the wonderful teachers, mentors, coaches, family members, friends and colleagues that have been with me on this journey.
Schedule
October 22|26|28|2021
Holy City Arts & Lyric Opera
La Traviata | Violetta
Mount Pleasant, SC
Media
Press
“Opera in the Heights may play up its community, small-town-opera-in-a-big-city side, but it brought in some serious talent for one of the most iconic moments in opera—the so-called mad scene. Jessica Jones trilled and soared her way into a perfect storm of maniacal derangement.”
– Sydney Boyd, Houstonia Magazine
“Full of dazzling radiance, soprano Jessica E. Jones lit up the intimate space as virginal Lucia driven mad by unrequited love. She supplied her own thunder and sparks to Donizetti’s vocal fireworks.”
– D.L. Groover, Houston Press
“Jones sang Desdemona with great power, control and emotional focus, especially in her moving Willow aria”
– Everett Evans, Houston Chronicle
“Against this muted backdrop, soprano Jessica Jones, singing the title role, positively gleams. It’s a difficult part, filled with relentless scales and arpeggios, turns and trills. It also takes sustained emotional energy to really punch up Lucia’s famous mad scene, the moment most people are waiting for. Jones’s voice carries best in its higher range, dulcet yet definite. At the height of the mad scene, Jones dances up to a spectacularly high note and then trills at a whisper—it is astonishing.”
– Sydney Boyd, Houstonia Magazine
“Listen and watch how Jones dances through the flute arpeggios, played as in love by Wendy Bergin. Entranced, Jones smiles with the tunes, then matches them flawlessly, her coloratura always bright and shining clear. It’s a wondrous duet, the epitome of bel canto technique of which this opera is a prime example.”
– D.L. Groover, Houston Press
“In Opera in the Heights’ opening-night production Friday, soprano Jessica Jones swept through the vocal tour de force of the title character’s famous mad scene with flair and impact. Lucia, unhinged by a forced marriage to a man she doesn’t love, interrupts the wedding celebration with her delusions. Jones’ moments of sweetness captured the character’s last recollections of happiness. At other times, she emitted a mere thread of sound, mirroring the dimming of Lucia’s sanity. When Jones’ vibrant, full-throated voice welled up, she made Lucia’s delirium real.”
– Steven Brown, Houston Chronicle
“Maestro Enrique Carreón-Robledo keeps Donizetti hopping. Lucia sounds most alive, though, when Ms. Jones in on stage, singing her heart out, going mad and looking fabulous while she does.”
– D.L. Groover, Houston Press
“As Rosasharn, Jessica Jones brought grace and beauty to her portrayal and gave splendid voice to her poignant numbers.”
– Everett Evans, Houston Chronicle
“Jessica Jones brings a fine voice and winsomely flirtatious presence to Beatrice.”
– Everett Evans, 29-95.com Arts Review
Contact
Stratagem Artist Management, LLC.
New York, NY USA
Justin Werner
tel. 646.847.9924
jwerner@stratagemartists.com